Sony FX6 with Sigma 24-70mm f/2.8 DG DN II Overview

The Sony FX6 and Sigma 24-70mm f/2.8 DG DN II lens kit from Photogear offers a versatile and powerful setup for filmmakers and photographers. The FX6’s full-frame 4K sensor, 15+ stops of dynamic range, and S-Cinetone gamma provide stunning cinematic visuals in a compact body ideal for single-operator shoots, documentaries, and drone work. Meanwhile, the Sigma 24-70mm delivers sharp, high-resolution images with its fast f/2.8 aperture, excellent autofocus, and compact build. Together, this kit excels in a range of environments, from handheld cinematic projects to professional video production, offering portability without compromising quality.

Sony FX6 Full-Frame Cinema Camera

The Sony FX6 Full-Frame Camera is designed for cine-style imaging in a compact, versatile body. With up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for film-like skin tones, and 10-bit 4:2:2 XAVC-I recording, the FX6 is well-suited for a range of projects, from supplementing FX9 or VENICE workflows to independent documentary, gimbal, and drone shoots.

4K Full-Frame Exmor R Sensor

Equipped with a 4K full-frame Exmor R sensor and BIONX XR engine, the FX6 features base ISO 800 and high-sensitivity ISO 12800 for impressive low-light performance. The 10.2 MP sensor supports high frame rates, full-frame lens compatibility, and a fast scan speed that reduces rolling shutter effects.

Compact, Single-Operator Friendly Design

Weighing just under 2 lb, the FX6 is portable yet robust, with a 3.5" LCD touchscreen for quick access to settings, phase-detection autofocus with Face and Eye Detection, and manual/auto ND filters for easy exposure control. Firmware updates enhance frame rate options, adding 100p and 120p in RAW modes for flexible creative options.

Key Features of the FX6 vs FX9

The FX6 offers a 4K capture capability, a high ISO range (320 to 409,600), and dual card slots compatible with CFexpress Type A and SDXC cards, surpassing the FX9's recording media flexibility and frame rate support. It also features 16-bit raw output, 2-channel XLR inputs, and ND options from 1/4 to 1/128.

Enhanced Cinematic Controls

Firmware v4.0 unlocks anamorphic de-squeeze and Cine EI Quick support, aligning FX6 workflows with other Sony Cinema Line cameras. The FX6 also provides multiple gamma choices, including S-Cinetone and S-Log3, for easy post-production grading and color matching.

Advanced Recording and Connectivity Options

The FX6 supports UHD 4K 4:2:2 capture in the XAVC-I codec, with high frame rates available in both full-frame and Super35 formats. It includes a 12G-SDI port, HDMI, timecode, Wi-Fi, and a durable, weather-sealed magnesium alloy body, making it ideal for professional environments. Perfect for cinematographers seeking a portable, powerful, and adaptable camera, the FX6 bridges Sony’s Cinema Line quality with ease-of-use for solo operators and multi-camera setups alike.

Sigma 24-70mm f/2.8 DG DN II

Featuring improved rendering performance in a shorter and lighter body, Sigma's flagship Sony E-mount 24-70mm f/2.8 DG DN II Art Lens deploys an advanced optical design for gains in sharpness, resolution, and portability. Additions like accelerated autofocus, a clickable aperture ring, and a scant, 6.7" minimum focusing distance make this small-footprint follow-up ideal for those seeking versatility without compromising excellence.

Sophisticated Optical Design

• Six "F" Low Dispersion (FLD), two Special Low Dispersion (SLD) elements, and five aspherical elements markedly reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy. Also, increased control over sagittal coma flare yields high resolution across the entire frame.
• In addition to superior optical performance, the five aspherical elements contribute to the lens' compact build with their thin, highly polarized construction.
• The bright, f/2.8 aperture and rounded 11-blade diaphragm produce a large, beautiful bokeh effect.
• Super multilayer and nano porous coatings have been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
• The lens was also designed to suppress focus breathing as the angle of view changes across the zoom range, creating natural-looking focus pulls when recording video.

Focus Faster, Focus Closer

• The introduction of a linear motor high-response linear actuator (HLA) to drive the autofocus yields focusing speeds more than three times faster than its predecessor.
• At the wide-angle end of the zoom range, the minimum focusing distance improves to 6.7" with a maximum magnification of 1:2.7 to suit working with close-up subjects or in tight spaces.

Built Strong and Svelte

• Maintaining the same number of lens elements, the overall length has been shortened to 4.8" while the weight has been reduced to 1.6 lb.
• The aperture ring features both click and lock switches for improved handling during use.
• The robust internal structure features metal parts for the zoom extension, while the exterior boasts rubber seals in the mount to protect the lens from dust and moisture.
• Two integrated AF-L buttons can be programmed to adjust various shooting settings and the lens also features a dedicated AF/MF switch and a zoom lock switch to prevent the barrel from accidentally extended.