Panasonic S5 IIx Overview
The Panasonic Lumix S5 II X Mirrorless Digital Camera contains a newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine that comply with PDAF (Phase Detection Auto-Focus), and deliver high resolution, natural description and approximately 2x higher-speed signal processing for high bit-rate video recording. Dual Native ISO sensitivity minimises noise generation, allowing a maximum ISO 51200 (Extended: 204800) high sensitivity recording.
An advanced subject detection and metering technologies help to capture the target subject in focus, even in adverse lighting conditions such as backlighting or low-light. The LUMIX S5II X also includes powerful image stabilisation system for wide-ranging shooting conditions and situations. When combining the In-body and lens stabilisation, the Dual I.S. II system on the S5 II X gives you the benefit of up to 6.5 stops, giving you greater confidence you will get the shot you need.
A variety of video functions and recording options
The LUMIX S5II X has something to provide for every creator, whether you're an amateur or professional videographer. Adoption of the new engine provides the LUMIX S5II X with high video performance, comparable with LUMIX S1H. It provides 4:2:0 10-bit 6K (17:9 or 3:2) / 5.9K (16:9) and unlimited 4:2:2 10-bit C4K/4K recording capability. With a new heat-dispersion mechanism, there is no worry of overheating halting your shoots. HFR (High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps) are also available.
The 14+ stop V-Log/V-Gamut capture delivers a high dynamic range and broad colours, and V-Log renders a very flat image while maintaining all of the colour information within the image, allowing a greater level of post-production tinkering, without sacrificing image quality. Plus, a REAL TIME LUT function is provided to enable colour grading on the go by applying the LUT(.VLT/.cube) saved in the SD memory card, streamlining the process from shoot to social media.
For impressive expression, unique shooting options such as the 4K60p interval shooting and 4K HDR video recording are available. In response to requests from professional users, video assist functions such as Waveform Monitor, Vector Scope and Zebra Pattern are available. Some features offered on the S1H and GH6 such as System Frequency (24.00Hz), Synchro Scan, Fan mode and redesigned control panel which enables quick selection of menu are also available on the LUMIX S5II X.
can be recorded using the built-in microphone and the external microphone for reliability. Use of external microphone and XLR microphone even allows high-res 96kHz/24bit audio recording.
Excellent operability and functions to minimise workflow for one man crew operation
Based on the success of LUMIX S5, a wealth of options have been added to the LUMIX S5IIX for a superior shooting experience. AWB Lock enables to keep the white balance set in auto. Sheer Overlay can now be used in Creative Video mode making it easy to fix the frame through footage sequence. Luminance level of 2100 Like (HLG) in Photo Style for video has been extended from 64-940 to 0-1023, providing a sufficient amount of color grading resistance.
In addition to FHD cropping, you can crop 4K image out of over 4K footage with Live Crop function. To support high-precision focusing, the LUMIX S5II and S5IIX provide practical options for manual focusing. While focus is shifted with variable amount according to the rotation speed of the focus ring for non-linear setting, it is shifted with a designated amount according to the rotational quantum of the focus ring for linear setting. Sensitivity (amount of focus shift per rotational quantum) can be selected from 90 to 1080 degrees to enable intended focus operation. The MF Assist, which enables the focus point to be enlarged, is now available not only in photo shooting but also in video recording*.
The LUMIX S5II X is also equipped with a large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) featuring a high magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent) and a 3.0-inch free-angle touch-control monitor in 3:2 aspect with 1,840K-dot high resolution. There are also improvements in external design, including new easy-to-operate 8-directional joystick and the drive dial with an increased setting position for 96-megapixel High Resolution Mode (JPEG/RAW).
Reliable quality and performance for professional use and connectivity
Overheating can be a fatal issue to your video recording workflow, especially as the resolution and the frame rates are increased. To combat this, the LUMIX S5II X adopts a new heat dispersion mechanism, combining a small fan and high-efficiency heat sink. As a result, the LUMIX S5II achieves unlimited video recording time in C4K 60p . If the camera stops during even higher resolution video recording, the fan can be driven separately to cool down the unit for quick recovery.
The LUMIX S5II X is composed of a magnesium alloy full die-cast front / rear frame and is both splash-resistant and dust-resistant. For the terminal, a highly versatile and durable HDMI Type A is provided, and USB 3.2 Gen 2 can also be used for high-speed writing and readout. The double card slots (UHS-II x 2) and can be used for a variety of recording setups, from Relay Recording to Backup and Allocation Recording. The card access indicator is now located inside the card slot cover. For the external microphone, a Φ3.5mm stereo jack is provided as well as a headphone jack.
Wi-Fi 5 GHz (IEEE802.11ac), in addition to 2.4 GHz (IEEE802.11b/g/n), provides secure and stable connection not only with a smartphone/tablet, but other devices on location for smooth remote control. The transmission speed of photo/video data is also increased by using the 5 GHz band. Compatibility with Bluetooth 5.0 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. The settings of your camera can also be copied and transmitted wirelessly to other LUMIX S5II and S5IIX cameras when on a multi-camera shoot.
The LUMIX Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (sold separately), application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets them view the image on a large PC screen while shooting.
The camera’s 2200mAh high-capacity battery DMW-BLK22 can be recharged either via AC or USB Type C according to the users’ convenience. It also complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 (sold separately) is used. Battery Grip DMW-BGS5 (sold separately) can be used in common with LUMIX S5.
Wired/ Wireless Streaming
The LUMIX S5IIX is capable of All-Intra, ProRes recording on SSD via USB. It also features wired/wireless IP streaming function and USB tethering. Moreover, Apple ProRes RAW recording is possible by HDMI RAW output to Atomos Ninja V+ monitor recorder4 on the LUMIX S5IIX. The ProRes RAW output to Atomos Ninja V+ monitor recorder4 will also be supported on the LUMIX S5II with a future firmware update.
Key Features
- Wireless Streaming
- Newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine
- Dual Native ISO sensitivity
- Dual I.S. II system
- New heat-dispersion mechanism
- REAL TIME LUT function
- Up to 96kHz/24bit audio recording with external microphone
- HDMI Type A, USB 3.2 Read and Write
- UHS-II Dual Card Slots
- 2200mAh high-capacity battery
- 3,680K-dot OLED Live View Finder
- Easy-to-operate 8-directional joystick
- Splash-resistant and dust-resistant
- Wi-Fi Connectivity
Specifications
| Image Sensor | |
| Lens mount | L-Mount |
| Type | 35mm full-frame (35.6mm x 23.8mm) CMOS sensor |
| Camera effective pixels / Total pixels | 24.20 megapixels / 25.28 megapixels |
| AR (Anti Reflection) coating | Yes |
| Aspect ratio / Colour filter | 3:2 / Primary colour filter |
| Dust reduction system | Image sensor shift type |
| Latitude | 14+ stops (V-Log) |
| Still Image | |
| Recording file format | JPEG (DCF, Exif 2.31), RAW |
| Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1 |
| File size (Pixels) When using full-frame lenses | 3:2 6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* High Resolution mode. 4:3 5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL) / 7552x5664(LL)* High Resolution mode. 16:9 6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL) / 8496x4784(LL)* High Resolution mode. 1:1 4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL) / 5664x5664(LL)* *High Resolution mode. 65:24 6000x2208(L 2:1 6000x3000(L) |
| File size (Pixels) When using APS-C/Super 35mm lenses | 3:2 3984x2656(L) / 2880x1920(M) / 2064x1376(S) 4:3 3536x2656(L) / 2560x1920(M) / 1840x1376(S) 16:9 3984x2240(L) / 2880x1624(M) / 1920x1080(S) 1:1 2656x2656(L) / 1920x1920(M) / 1376x1376(S) |
| Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine) |
| Colour space | sRGB, AdobeRGB |
| Motion Picture | |
| Recording file format | "MOV: H.264/MPEG-4 AVC, H.265/HEVC MP4: H.264/MPEG-4 AVC, H.265/HEVC" |
| Audio format | "MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) MP4: AAC (2ch 48kHz/16-bit) *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately)." |
| System frequency | 59.94Hz / 50.00Hz / 24.00Hz |
| Image area of video | Full / APS-C / PIXEL/PIXEL |
| Resolutions | [6K] 5952x3968 (3:2), [6K] 5952x3136 (17:9), [5.9K] 5888x3312 (16:9), [C4K] 4096x2160 , [4K] 3840x2160, [FHD] 1920x1080, [C4K], 4096x2160, [4K] 3840x2160, [3.3K] 3328x2496 (4:3), [FHD] 1920x1080, [6K] 5952x3968 (3:2), [6K] 5952x3136 (17:9), [5.9K] 5888x3312 (16:9), [C4K] 4096x2160, [4K] 3840x2160, [FHD] 1920x1080, [C4K] 4096x2160, [4K] 3840x2160, [3.3K] 3328x2496 (4:3), [FHD] 1920x1080, [6K] 5952x3968 (3:2), [6K] 5952x3136 (17:9), [5.9K] 5888x3312 (16:9), [C4K] 4096x2160, [4K] 3840x2160, [FHD] 1920x1080, [C4K] 4096x2160, [4K] 3840x2160, [3.3K], 3328x2496 (4:3), [FHD] 1920x1080, [4K] 3840x2160, [FHD] 1920x1080, [4K] 3840x2160 ,[FHD] 1920x1080, [4K] 3840x2160, [FHD] 1920x1080, [4K] 3840x2160, [FHD] 1920x1080, [FHD] 1920x1080, [C4K] 4096x2160, [4K] 3840x2160, [FHD] 1920x1080, [FHD] 1920x1080, [C4K] 4096x2160, [4K] 3840x2160, [FHD] 1920x1080, [FHD] 1920x1080, [C4K] 4096x2160 ,[4K] 3840x2160, [FHD] 1920x1080 |
| External USB-SSD Recording | Yes (ON / OFF) |
| HDMI Raw Data Output | |
| Compatible External Devices | ATOMOS HDMI field monitor/recorder ""Ninja V+" *Selectable recording mode depends on the firmware version of ATOMOS Ninja V+. *Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+. *All functions may not be available depending on the situation." |
| Rec quality | 59.94Hz FULL [5.9K] 5888x3312 (16:9) 29.97p, 12-bit (LPCM) 23.98p, 12-bit (LPCM)" 59.94Hz APS-C [4.1K] 4128x2176 (17:9) "59.94p, 12-bit (LPCM) 29.97p, 12-bit (LPCM) 23.98p, 12-bit (LPCM)" 50.00Hz FULL [5.9K] 5888x3312 (16:9) 25.00p, 12-bit (LPCM) 50.00Hz APS-C [4.1K] 4128x2176 (17:9) "50.00p, 12-bit (LPCM) 25.00p, 12-bit (LPCM)" [3.5K] 3536x2656 (4:3) 50.00p, 12-bit (LPCM) 25.00p, 12-bit (LPCM)" |
| Audio format | LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately)." |
| Streaming | |
| Wi-Fi | FHD, HD |
| USB Tethering | 4K, FHD, HD |
| Wired LAN | 4K, FHD, HD |
| Viewfinder | |
| Type | OLED Live View Finder |
| Pixels | Approx. 3.68 million dots |
| Field of view / Magnification | Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
| Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) |
| Eye sensor | Yes |
| Display speed | 120fps / 60fps |
| Rear Monitor | |
| Type | TFT LCD monitor with static touch control |
| Monitor size | Free-angle, 3.0-inch (7.6cm), 3:2 aspect |
| Pixels | Approx. 1.84 million dots |
| Field of view | Approx. 100% |
| Focus | |
| Type | Phase Detection AF system / Contrast AF system |
| DFD technology | Yes |
| Focus mode | AFS (Single) / AFC (Continuous) / MF |
| AF mode | "Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set." |
| AF detective range | EV -6 - 18 (F1.4, ISO100 equivalent, AFS) |
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
| AF assist light | Yes |
| AF lock | Set the Fn button in custom menu to AF lock |
| Focus ring control | Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) |
| Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resum |
| Exposure Control | |
| Light metering system | 1,728-zone multi-pattern sensing system |
| Light metering mode | Multiple / Centre Weighted / Spot / Highlight Weighted |
| Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
| Mode dial | "Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available." |
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
| ISO sensitivity (Standard output sensitivity) | "[Normal] Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) Extended ISO [V-Log] Auto / 320 / 640-51200 (1/3 or 1 EV step) Extended ISO [HLG] Auto / 400-51200 / 102400 / 204800* (1/3 or 1 EV step) *Extended ISO" |
| Dual Native ISO | "[Normal] Native ISO: 100, 640 Auto: Auto / 50* / 100-51200 / 102400* / 204800* Extended ISO Low: Auto / 50 / 100-800 Extended ISO High: Auto / 320 / 640-51200 / 102400* / 204800* Extended ISO [V-Log] Native ISO: 640, 4000 Auto: Auto / 320 / 640-51200 Extended ISO Low: Auto / 320 / 640-5000 Extended ISO High: Auto / 2000 / 4000-51200 Extended ISO [HLG] Native ISO: 400, 2500 Auto: Auto / 400-51200 / 102400 / 204800* Extended ISO Low: Auto / 400-3200 High: Auto / 2500-51200 / 102400 / 204800* Extended ISO [Cinelike D2 / Cinelike V2] Native ISO: 200, 1250 Auto: Auto / 100 / 200-51200 / 102400* / 204800* Extended ISO Low: Auto /100 / 200-1600 Extended ISO High: Auto / 640 / 1250-51200 / 102400* / 204800* *Extended ISO" |
| AE lock | Set the Fn button in custom menu to AE lock |
| Image Stabilisation System | "B.I.S. (5-axis / 5-stop*) Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.] Dual I.S. 2 (6.5-stop) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.] " |
| White Balance | |
| White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias |
| Color temperature setting | 2500-10000K in 100K |
| Shutter | |
| Type | Focal-plane shutter |
| Shutter speed | "Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2" |
| Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
| Remote control | Remote control by DMW-RS2 (sold separately) |
| Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
| Bracket | |
| AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
| Aperture bracket | 3, 5 or all positions |
| Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
| Burst Shooting | |
| Burst Speed | "Mechanical shutter / Electronic front curtain shutter" H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View) M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View)" Electronic shutter "SH30: 30 frames/sec (AFS/AFC/MF) H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View)" |
| Number of recordable images | "H/M/L* RAW+JPEG: More than 200 images RAW: More than 200 images JPEG: More than 300 images *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. *When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"". SH RAW / RAW+JPEG / JPEG: 200 images" |
| Flash | |
| Flash type | TTL External Flash (sold separately) |
| Synchronisation speed | Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
| Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
| Flash synchronisation | 1st Curtain Sync, 2nd Curtain Sync. |
| Flash output adjustment | 1/3EV step ±3EV |
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
| Extra Tele Conversion | 2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording. |
| Colour Settings | |
| Photo Style | "Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)* *Set to ON from Show/Hide Photo Style to select." |
| Picture adjustment | "Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT *Adjustable settings vary depending on the Photo Style mode." |
| Filter | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass |
| LUT Library | "Vlog_709 / Set 1-10 *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings." |
| Motion Picture Function | |
| Time lapse shot | Yes |
| Stop motion animation | Yes |
| Live cropping | Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes) |
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
| Luminance level | "8-bit: 0-255 / 16-235 / 16-255 10-bit: 0?1023 / 64?940 / 64?1023" |
| Synchro scan | Yes |
| Master pedestal level | 31 steps |
| Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes |
| LUT view assist | "Supported file types: .vlt, .cube Monitor / HDMI" |
| HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
| Anamorphic de-squeeze display | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF |
| Wave form monitor / Vector-scope | Selectable |
| Knee control | Yes (in Like709 mode) |
| Red REC frame indicator | ON / OFF |
| Vertical Position Information | Still image / Motion picture (ON/OFF) |
| Level Gauge | Yes |
| Function Button | |
| REC | Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow & Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default |
| PLAY | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default |
| Interface | |
| USB | USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) |
| HDMI | HDMI TypeA Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.) |
| Monitor-through | 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) |
| Playback | 59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p* 50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p* 24.00Hz: C4K/24p / 4K/24p / 1080p *Only for playback." |
| Remote input | φ2.5mm |
| Build-in microphone | Stereo Wind Noise Canceller: OFF / Standard / High |
| External microphone / External audio device input | φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE Wind Cut: OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately). Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately)." |
| XLR microphone | Yes with DMW-XLR1 (sold separately) |
| 4ch mic input | Yes with DMW-XLR1 (sold separately) |
| Speaker | Monaural |
| Headphone output | φ3.5mm |
| SD card slot | Slot 1, Slot 2 SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards." |
| TC In/Out | |
| Count up | Rec Run / Free Run |
| Time code mode | Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.) |
| HDMI time code output | ON / OFF |
| Fan | "Auto1 / Auto2 / Fast / Normal / Slow* / OFF** *Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p **OFF can be set when in iA/P/A/S/M mode." |
| Wireless | |
| Wi-Fi | 2.4GHz bands (STA/AP) (IEEE802.11b/g/n) 5GHz bands (STA) (IEEE 802.11a/n/ac) Security: WPA/WPA2/WPA3 Please refer to ""Wi-Fi"" Sheet |
| Bluetooth | Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) |
| Dust and Splash Resistant | Yes |
| Power | |
| Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery" |
| Battery life (CIPA standard) | Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060 Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50 *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
| Continuous recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 90 min (APS-C), MP4 [FHD/60p]: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged. |
| Actual recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 45 min (APS-C), MP4 [FHD/60p]: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged. |
| Battery grip | DMW-BGS5 (sold separately) |
| Dimensions / Weight | |
| Dimensions (W x H x D) | Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions) Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions) Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions) |
| Weight | Approx. 740g / 1.64 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap) Approx. 657g / 1.45 lb (Body, Hot Shoe Cover) (excluding body cap) |
| Operating Environment | |
| Operating temperature (*3) | 0? to 40? (32? to 104?) |
| Operating humidity | 10%RH to 80%RH |
In The Box
- Panasonic Lumix S5 II X Mirrorless Digital Camera
- Panasonic Lumix S 50mm f/1.8 Lens
- Body Cap
- Hot Shoe Cover
- Cover for the Battery Grip Connector
- Shoulder Strap, Battery Pack
- AC Adaptor
- USB Connection Cable (A-C)
- Lens Cap
- Lens Hood
- Lens Rear Cap
- Barcode: 66777
- UPC Barcode: 8887549853319
- Supplier Code: DC-S5M2XCGN