Blackmagic Design URSA Cine 12K LF 100G Camera + Cine EVF (ARRI PL, Canon EF)

Overview

The Blackmagic Design URSA Cine 12K LF 100G Camera + Cine EVF (ARRI PL, Canon EF) is a flagship large-format digital cinema package built for feature films, premium commercials, episodic production, virtual production, and hybrid live workflows that require both a cinematic image and advanced networked production capability. At its core is a full-frame 35.64 x 23.32 mm CMOS sensor with an effective resolution of 12,288 x 8040, allowing Blackmagic RAW recording up to 12K with an advertised 16 stops of dynamic range, flexible open-gate capture, anamorphic support, and a broad range of full-frame, Super 35, 8K, 4K, and HD recording options.

This configuration pairs the camera with the Blackmagic URSA Cine EVF, giving operators a dedicated high-resolution OLED viewfinder solution for handheld, shoulder-mounted, studio, and outdoor work. The EVF adds a 1920 x 1080 color OLED display, proximity sensor, adjustable glass diopter, tally light, multiple eyecups, and a complete mounting set with bracketry, rods, extension, and viewfinder cables. Combined with the included 8 TB Media Module, ARRI PL and Canon EF mounts, top handle, top rod mount, 19 mm baseplate, shoulder pad, B-mount battery plate, power supply, and wheeled hard case, this is a thoroughly equipped production package for serious cinema and live applications.

Core Features

• The camera is built around a large-format full-frame CMOS sensor measuring 35.64 x 23.32 mm with an effective resolution of 98 megapixels, enabling Blackmagic RAW capture up to 12,288 x 8040 for extremely detailed cinema acquisition and flexible reframing in post.
• Its 100 Gigabit Ethernet connection supports SMPTE 2110 video workflows along with high-speed control, monitoring, and media transfer, making this model especially appealing for productions that bridge cinematic acquisition and live infrastructure.
• Blackmagic RAW recording supports a wide range of 12K, 9K, 8K, 4K, and HD formats, with frame rates reaching up to 120 fps in select 12K modes, 144 fps in 8K 3:2, and 224 fps in 8K 2.4:1 widescreen.
• The included ARRI PL mount can be swapped for the included Canon EF mount, while optional B4 and ARRI LPL mounts expand compatibility across professional cinema, broadcast, and photographic lens ecosystems.
• Built-in optical ND filters with clear, 2-stop, 4-stop, and 6-stop settings provide fast exposure control, while the integrated optical low-pass filter reduces moire and aliasing and improves image fidelity with updated IR filtering.
• Dual 12G-SDI outputs, XLR mic/line inputs with phantom power, USB-C connectivity, reference and timecode input, Wi-Fi, and professional LEMO and Fischer power connections support complex on-set and studio integration.
• The included URSA Cine EVF adds a high-resolution 1920 x 1080 OLED display with a built-in proximity sensor, tally light, adjustable diopter, and multiple eyecups, helping operators achieve more accurate viewing in bright or demanding shooting conditions.
• A complete EVF mounting package is included with rotating bracket, 19 mm carbon fiber rod, two 15 mm carbon fiber rods, extension, and multiple USB viewfinder cables for flexible mounting on the camera.
• The included 8 TB Media Module, top handle, top rod mount, 19 mm baseplate, shoulder pad, B-mount battery plate, 24 V power supply, and wheeled Pelican hard case make this a robust ready-to-work production bundle.
• Built-in RTMP and SRT streaming, proxy generation, Blackmagic Cloud syncing, DaVinci Resolve integration, digital slate metadata tools, and Bluetooth camera control support efficient modern workflows from set through post.

Large-Format Sensor and Flexible Formats

The URSA Cine 12K LF 100G is designed to take full advantage of its large-format sensor across a wide variety of deliverables. The full sensor area can be used for a 3:2 open-gate image that gives editors and colorists more room for reframing, while anamorphic support with 1.3x, 1.5x, 1.6x, 1.66x, 1.8x, and 2x de-squeeze options makes it suitable for premium widescreen productions. In addition to full-frame 12K recording, the camera supports 9K Super 35 modes for compatibility with classic cinema lenses and multiple lower-resolution formats that still preserve the advantages of Blackmagic RAW acquisition.

High-End Body Design and On-Set Practicality

The body is engineered for demanding professional work with a magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin. Its evenly weighted design supports handheld, shoulder-mounted, rigged, and studio operation, while soft-touch backlit controls improve usability in low-light environments. The included top handle, top rod mount, 19 mm baseplate, shoulder pad, and B-mount battery plate help position the camera as a true production system rather than a stripped-down body.

Interchangeable Mounts and Lens Workflow

This configuration includes both ARRI PL and Canon EF mount options, allowing productions to move between dedicated cinema lenses and EF photographic glass as needed. Optional B4 and ARRI LPL mounts further expand the system for broadcast and large-format cinema workflows. Lens communication support and mount contact pins allow metadata capture for monitoring and postproduction, giving crews additional flexibility and consistency across more complex productions.

Monitoring, Camera Control, and the Included EVF

The camera already offers strong onboard monitoring with its fold-out 5" touchscreen LCD and dedicated assist-side display, but the included URSA Cine EVF makes the package even more capable for outdoor and operator-driven shooting. The EVF uses a 1920 x 1080 color OLED panel with up to 60 fps viewing, supports frame guides and status information, and includes a built-in focus chart for precise setup. A proximity sensor powers the EVF only when it is in use to conserve energy, while the 4-element glass diopter offers wide adjustment for a tailored viewing experience. The included rotating bracket, rod hardware, extension, and multiple USB viewfinder cables provide a flexible mounting solution for different rig configurations.

Blackmagic RAW, Media, and High-Speed Capture

Blackmagic RAW is designed to preserve sensor data together with metadata such as lens information, white balance, digital slate details, and custom LUT information. This helps maintain continuity from production through finishing. The included 8 TB Media Module provides substantial onboard recording capacity for extended high-resolution shooting, while the URSA Cine platform also supports alternative media options for other workflows. Combined with the camera's high frame rate capabilities across 12K, 8K, and 4K modes, the system can cover everything from dramatic acquisition to action, music video, fashion, and specialty cinematography.

Optical Filtering and Color Science

The integrated optical low-pass filter helps reduce moire and aliasing that can occur when high-resolution sensors meet detailed textures, synthetic fabrics, or LED wall environments. Built-in optical ND filters in clear, 2-stop, 4-stop, and 6-stop settings make it easier to control exposure quickly while preserving color accuracy and minimizing IR contamination. Blackmagic Generation 6 Color Science further expands the imaging pipeline with improved skin tones, accurate color rendering, 3D LUT support, and workflows built around modern cinema and broadcast finishing standards.

Live Streaming, Cloud Collaboration, and DaVinci Resolve

This model is designed to do far more than record locally. It supports RTMP and SRT streaming, SMPTE 2110 video workflows, proxy generation, and Blackmagic Cloud syncing, making it suitable for productions where editors, clients, and remote teams need rapid access to material. H.264 proxy files can be created alongside the main camera media and transferred into DaVinci Resolve workflows more quickly, helping connect acquisition and postproduction in a far more immediate way than traditional standalone cinema cameras.

Power, Connectivity, and Workflow Depth

The camera uses professional-standard connections throughout, including dual 12G-SDI outputs, XLR audio inputs with phantom power, USB-C ports, reference and timecode input, Wi-Fi, Bluetooth control support, and LEMO and Fischer power connectivity for accessories. The EVF also connects via USB-C and can be updated through the same connection. Blackmagic OS provides touchscreen menu navigation, exposure and focus tools, HDR options, timecode management, metadata entry, digital slate functions, and support for 13 menu languages. A DaVinci Resolve Studio activation is included to complete the end-to-end workflow.