Sony FX6 Full-Frame Cinema Camera with Sony FE 24-70mm GM II Lens Kit + BONUS Cashback+ Trade-in Bonus

Overview

The Sony FX6 Full-Frame Cinema Camera with Sony FE 24-70mm f/2.8 GM II Lens Kit combines Sony’s compact, Netflix-approved Cinema Line workhorse with a refined G Master standard zoom. The FX6 delivers 4K full-frame capture up to 120 frames per second, more than 15 stops of dynamic range, electronic variable ND, and advanced Fast Hybrid AF in a body weighing under 1 kg, while the FE 24-70mm f/2.8 GM II lens adds upgraded optics, faster autofocus, and a smaller, lighter design that is ideal for both cine and hybrid workflows.

Core Features

• Full-frame 10.2 megapixel Exmor R CMOS sensor with more than 15 stops of dynamic range for cinematic imaging.
• DCI 4K up to 60 frames per second, UHD 4K up to 120 frames per second, and Full HD up to 240 frames per second.
• S-Cinetone, S-Log3, S-Gamut3, S-Gamut3.Cine, HLG, and Rec.709 gamma options for flexible colour workflows and camera matching.
• Base ISO 800 and 12800 with extended sensitivity from ISO 320 to 409600 for demanding low-light environments.
• Electronically variable ND filter with automatic and manual control from 1/4 to 1/128 density (approximately 2 to 7 stops).
• Fast Hybrid phase-detection autofocus with 627 points, Face Detection, Eye AF, and adjustable transition speed and sensitivity.
• Modular magnesium alloy body with handle, smart grip, and 3.5" touchscreen LCD for handheld, gimbal, and drone setups.
• Dual CFexpress Type A and SDXC card slots supporting high-frame-rate recording and flexible media options.
• Four-channel audio recording via dual XLR inputs, Multi Interface shoe, and built-in handle microphone.
• Sony FE 24-70mm f/2.8 GM II lens with upgraded optics, four XD linear AF motors, and compact, weather-sealed construction.

Full-Frame Cinema Imaging

4K Exmor R Sensor and BIONZ XR Processing

The FX6 combines a 4K full-frame Exmor R CMOS sensor with a BIONZ XR processing engine for extremely sensitive capture in a wide variety of environments. The 10.2 megapixel image sensor uses a back-illuminated design to improve low-light performance while maintaining rich detail and smooth tonal gradations. A fast scan speed helps to minimise rolling shutter artefacts and supports both high frame rates and responsive autofocus performance.

Dynamic Range and ISO Flexibility

Delivering more than 15 stops of dynamic range, the FX6 creates nuanced, high-resolution images with preserved highlight and shadow detail. Selecting Cine EI mode with S-Log3 maximises dynamic range for grading in post-production. A base ISO of 800 is complemented by a high-sensitivity ISO 12800 mode, and the extended range from ISO 320 to 409600 enables true low-light shooting when needed.

Single-Operator Design and Handling

Compact Body for Mobile Shoots

Weighing just under 2 pounds (approximately 890 grams) and measuring about 15.3 x 11.6 x 11.4 centimetres without protrusions, the FX6 body is significantly lighter than the FX9 while packing a full-frame sensor into a size comparable to the Super 35 FS5. It integrates seamlessly into professional on-set workflows but is equally suited to documentary, gimbal, and drone applications where compactness and agility are essential.

Touchscreen LCD and Quick Menus

The included 3.5" centimetre touchscreen LCD monitor offers high-resolution viewing and intuitive camera control. Quick menu access to settings such as codec, imager scan mode, picture size and frequency, base ISO or sensitivity, shooting mode, and audio levels speeds up configuration changes. The monitor can be mounted in multiple positions on the camera body and handle to maintain comfortable viewing in different shooting setups.

Fast Hybrid AF for Solo Operators

Fast Hybrid autofocus combines phase detection and contrast detection to deliver rapid, accurate focusing, even in lower-light settings. The FX6 supports Face Detection and Eye AF, maintaining critical focus on subjects as they move. The phase-detection AF system offers seven transition-speed steps and five subject-sensitivity settings, giving operators precise control over how quickly focus shifts between subjects for more cinematic results.

Cinema Line Integration and Firmware Enhancements

Versatile Addition to Sony Cinema Line

As part of Sony’s Cinema Line, the FX6 shares key imaging characteristics with cameras such as VENICE and FX9, including a full-frame sensor, filmlike colour science, compact and lightweight construction, professional connectors, and advanced autofocus options. It matches the FX9’s capture up to DCI 4K 60 frames per second, uses the same S-Cinetone, S-Log3, and HLG gamma choices, outputs 16-bit raw, and offers the same 1/4 to 1/128 electronic ND range and dual XLR audio inputs.

Differences from the FX9 include 4K capture versus 6K, a single 12G/6G/3G-SDI BNC port instead of dual SDI outputs, and the inclusion of a timecode connector without genlock. Improved specifications over the FX9 comprise a wider ISO range from 320 to 409600, top frame rates of 120 frames per second in 4K and up to 240 frames per second in Full HD, and dual card slots compatible with both CFexpress Type A and SDXC media instead of relying primarily on XQD cards.

Firmware v4.0 and Anamorphic Support

Firmware update version 4.0 adds new features developed with feedback from the professional cinema community. Anamorphic de-squeeze options of 1.3x and 2.0x are now available for monitoring both in the viewfinder and through the HDMI output. Cine EI Quick support aligns the FX6 workflow with other Cinema Line models such as FX3 and FX30, streamlining exposure management in multi-camera productions.

Clip naming now follows the CineAlta convention, simplifying file organisation and matching with higher-end Sony systems. Autofocus operation is available when using frame rates of 7 frames per second or higher in Slow & Quick mode, expanding the scenarios in which AF can be used during high-frame-rate recordings.

Exposure, ND, and Recording Options

Electronically Variable ND for Consistent Exposure

The FX6 features an integrated electronically variable neutral density filter system that can be set to automatic mode for correctly exposed images in changing light conditions. Alternatively, density can be adjusted manually from 1/4 to 1/128 while recording, providing approximately 2 to 7 stops of compensation. Both modes maintain your chosen aperture and depth of field, making on-the-fly exposure adjustments smooth and unobtrusive.

Advanced XAVC Codec Suite

The FX6 is the first compact full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also provides a range of professional XAVC Intra and XAVC Long options at bit rates from 35 to 600 megabits per second, accommodating different delivery requirements and storage considerations while preserving robust image quality.

High Frame Rate Capture Choices

For slow-motion and fast action work, the FX6 offers flexible full-frame recording rates, including:

• 1 to 60 frames per second in resolutions from Full HD to DCI 4K.
• 100 and 120 frames per second in Full HD through UHD 4K.
• 150, 180, 200, and 240 frames per second in Full HD.

Super 35 scan options include 1 to 60, 100, and 120 frames per second in Full HD, providing additional flexibility for different lenses and framing needs.

Colour Science, AF, and Stabilisation Metadata

S-Cinetone and Log for Cinematic Looks

Sony’s S-Cinetone gamma curve delivers a cinematic look with filmlike colour, softer tonal transitions, and pleasing skin tones, suitable for projects that require minimal grading. S-Log3, S-Gamut3, and S-Gamut3.Cine offer broad colour-grading latitude and facilitate matching FX6 footage with VENICE or FX9 material. HLG and Rec.709 modes support both HDR and standard dynamic range workflows.

Metadata-Based Stabilisation with Catalyst

While the FX6 does not incorporate sensor-shift stabilisation, it records stabilisation metadata that can be interpreted in Sony’s Catalyst Prepare and Catalyst Browse software. This metadata enables post-production image stabilisation, automatic gimbal-rotation correction, and the addition of flags for easier clip filtering, providing smoother footage without a significant crop during shooting.

Monitoring, Build, and Reliability

3.5-Inch Touchscreen Monitoring

The included external 3.5 inch (approximately 8.9 centimetre) touchscreen LCD offers detailed on-camera monitoring with a resolution of 1280 x 720 and about 2.76 million dots. Its responsive touch interface simplifies navigation and control, while multiple mounting positions on the camera and handle support ergonomic viewing for operators in a variety of shooting positions.

Magnesium Alloy Construction and Sealing

Constructed from lightweight yet durable magnesium alloy, the FX6 body provides maximum reliability while efficiently dispersing heat to enable extended recording times. Exterior seams, buttons, and connectors are treated with enhanced sealing to improve dust and moisture resistance, making the camera suitable for work in demanding environments.

Audio, Interfaces, and Media

Four-Channel Audio Recording

The FX6 supports four-channel, 24-bit audio recording at 48 kilohertz by combining input from its dual XLR connectors on the included handle, the two-channel Multi Interface shoe, and the stereo microphone built into the handle. This configuration enables simultaneous recording of primary dialogue, ambience, and operator notes or backup sources within a single take.

Professional I/O and Raw Output

Professional connectivity includes a selectable 12G/6G/3G-SDI BNC output for monitoring and external recording, an HDMI 2.0 output, and raw output via SDI for integration with high-end recorders. A timecode input/output BNC connector supports multi-camera synchronisation, while additional ports include USB-C, Sony Multi/Micro-USB, power input, and control interfaces. A built-in Wi-Fi module provides wireless connectivity for remote operation and file management.

CFexpress and SD Media Options

Dual media slots accept both rugged, high-performance CFexpress Type A cards and widely available UHS-I or UHS-II SDXC cards. CFexpress Type A media is required for UHD 4K recording at 100 and 120 frames per second and for high-speed Full HD capture at 150, 180, 200, and 240 frames per second, ensuring reliable throughput in demanding scenarios.

Remote Operation and Wireless Control

Content Browser Mobile Compatibility

Using the separately available Content Browser Mobile app for Android and iOS, the FX6’s Wi-Fi function enables remote monitoring and control via a compatible smartphone or remote device. Operators can adjust settings such as focus, iris, and zoom on supported lenses while monitoring the image wirelessly, offering additional flexibility for gimbal, crane, or restricted-access setups.

Sony FE 24-70mm f/2.8 GM II Lens

G Master Image Quality and Speed

The Sony FE 24-70mm f/2.8 GM II lens is a refined take on the fast standard zoom, designed to rival prime lenses in sharpness, clarity, and bokeh quality. A bright constant f/2.8 aperture allows shooting in dim lighting and supports shallow depth of field for strong subject separation. The optical design has been updated to deliver greater resolution and a smoother, more circular out-of-focus rendering.

Two extra-low dispersion and two Super ED elements effectively suppress chromatic aberrations and colour fringing, improving clarity and colour fidelity. Five aspherical elements, including two extreme aspherical (XA) elements, minimise spherical aberrations and distortion while reducing “onion ring” bokeh. Nano AR Coating II helps control flare and ghosting, and an 11-blade diaphragm maintains smooth, circular bokeh at all aperture settings.

Fast AF and Floating Focus System

A redesigned focusing system with four XD (extreme dynamic) linear motors delivers faster, quieter, and more precise autofocus performance compared with previous DDSSM-based designs. This improved AF supports high-speed shooting up to 30 frames per second, maintains full autofocus when shooting stopped down, and preserves focus tracking even when changing the zoom position.

A floating focusing mechanism maintains high image quality throughout the focus range and underpins the lens’s impressive close-up capabilities. The minimum focusing distance is approximately 21 centimetres at 24 millimetres and about 30 centimetres at 70 millimetres, with a maximum magnification of 0.32 times at the long end for detailed close-ups and product shots.

Video-Focused Refinements and Control

The FE 24-70mm f/2.8 GM II has been updated with attributes that specifically benefit video work. Focus breathing, focus shift, and axial shift during zooming are all minimised, reducing unwanted changes in angle of view and focus when adjusting framing or focal length. The lens supports the Breathing Compensation function in select Cine Line and Alpha cameras to further refine composition during focus pulls.

The quiet XD linear motors are well suited to using autofocus during video recording, while Linear Response MF provides a natural, intuitive manual focus feel. A manual aperture ring can be de-clicked for silent operation during iris pulls, and a zoom smoothness switch lets operators choose between smoother or tighter zoom ring torque, depending on the shooting style.

Compact G Master Build and Weather Resistance

Among the smallest and lightest f/2.8 standard zooms in its class, this lens is approximately 22 percent lighter and 18 percent smaller than its predecessor, making it a highly portable choice for a wide range of applications. A hybrid construction uses both metal and plastic components to balance durability with a low weight, preserving professional robustness without sacrificing mobility.

The lens features a dust- and moisture-resistant design, including rubber gaskets at each seam and a sealing ring at the lens mount, enabling reliable operation in adverse conditions. The front element has a fluorine coating to repel water, oil, and contaminants and to make cleaning easier. Two programmable focus hold buttons, a focus mode switch, a zoom smoothness switch, and a locking, windowed lens hood complete a control layout optimised for demanding photographic and cine production.