Panasonic AW-UB50E 4K Multipurpose Full Frame Box Camera with NDI

Overview

The Panasonic AW-UB50E 4K Multipurpose Full Frame Box Camera with NDI is built for professional broadcast, corporate, and live productions. Its 24.2 MP full-frame MOS sensor delivers cinematic 4K visuals with V-Log and 14+ stops of dynamic range for rich, gradable colour. With an L-mount lens system, IP-based workflows, and deep integration with Panasonic PTZ cameras, it fits easily into modern multi-camera production environments.

Core Features

• 24.2 MP full-frame MOS sensor for cinematic 4K imaging
• 14+ stops dynamic range with V-Log for flexible grading
• L-Mount for wide lens compatibility and creative control
• Compact box design under 10 cm for tight or discreet installs
• IP-based workflows with NDI® HX2, RTMP, and SRT streaming
• Real-time recognition AF for precise subject tracking
• Integration with Panasonic PTZ systems and Media Production Suite
• Remote control support including AK-HRP1010 and planned AW-RP150GJ
• Tally control capability for multi-camera live production

Imaging and Autofocus Performance

The AW-UB50E uses a 24.2 MP full-frame MOS sensor to capture detailed 4K footage with a naturally shallow depth of field for clean subject separation and a cinematic look. This makes it suitable for interviews, live broadcasts, and high-end content creation where image quality is critical.

Real-time recognition autofocus technology enables the camera to automatically detect and track subjects, maintaining sharp focus even with fast-moving action or presenters on the move. Combined with V-Log and 14+ stops of dynamic range, it preserves highlight and shadow detail in challenging lighting and allows precise colour grading for a true-to-life final image.

Footage can be matched seamlessly across multiple cameras, especially when paired with Panasonic models such as the AW-UE160 4K integrated camera, helping maintain a consistent visual style in multi-camera productions.

Compact Full-Frame Box Design

With a compact chassis measuring under 10 cm in height, width, and depth (excluding lens), the AW-UB50E can be installed in tight or discreet locations without sacrificing performance. It can be mounted on rigs, placed in studios, or used with a gimbal for handheld-style shooting to suit a variety of production environments.

The L-mount system gives access to a wide range of compatible lenses, from wide-angle options for immersive perspectives to telephoto lenses for distant subjects. This flexibility lets operators choose glass that best fits each shot while maintaining the benefits of a full-frame sensor.

IP Connectivity and Streaming

Designed for networked production, the AW-UB50E supports IP-based transmission standards including NDI® HX2, RTMP, and SRT. These formats enable low-latency, high-quality video transport over standard network infrastructure, which is ideal for live streaming, remote production, and distributed control.

By leveraging these IP workflows, the camera can deliver reliable video feeds to streaming platforms, broadcast systems, or production switchers while reducing the need for dedicated point-to-point video cabling.

Multi-Camera Integration and Control

The AW-UB50E integrates smoothly with Panasonic PTZ camera systems and Panasonic’s Media Production Suite, allowing operators to manage multiple cameras on the same network from a central interface. This is particularly useful in studios, conference venues, and live performance environments where consistent multi-camera control is essential.

It is fully compatible with the AK-HRP1010 remote operation panel, with planned support for the AW-RP150GJ remote camera controller. Tally control capability further supports live production workflows, ensuring clear on-air indication for multi-camera setups during broadcasts and events.